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	<title>The Art + Culture Edit &#8211; PALATE Magazine</title>
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		<title>NoName, No Apologies</title>
		<link>https://palatemag.com/noname-no-apologies/</link>
					<comments>https://palatemag.com/noname-no-apologies/#respond</comments>
		
		<dc:creator><![CDATA[Iris]]></dc:creator>
		<pubDate>Tue, 10 Feb 2026 22:50:03 +0000</pubDate>
				<category><![CDATA[The Art + Culture Edit]]></category>
		<category><![CDATA[Issue One]]></category>
		<guid isPermaLink="false">https://palatemag.com/?p=11602</guid>

					<description><![CDATA[Artist and gallery owner Jonene Lee doesn´t curate egos Before NoName Gallery occupied its light-filled corner in Chestnut Hill — before sales dots and spreadsheets — Jonene Lee was a suburban kid transfixed by a film about breakdancing and turntables. She was eleven. Raised between West Philadelphia lineage and Bucks County suburbia, Lee learned early what it meant to feel both inside and outside a room. Hip-hop became a portal — not just music, but movement, style, language. She found her people in dance circles and later with Montage (now Ladies of Hip Hop), a collective of women translating street]]></description>
		
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		<title>Do It for the Culture: Don&#8217;t-Miss 2026 Events</title>
		<link>https://palatemag.com/do-it-for-the-culture-dont-miss-2026-events/</link>
					<comments>https://palatemag.com/do-it-for-the-culture-dont-miss-2026-events/#respond</comments>
		
		<dc:creator><![CDATA[Iris]]></dc:creator>
		<pubDate>Sat, 07 Feb 2026 22:33:22 +0000</pubDate>
				<category><![CDATA[The Art + Culture Edit]]></category>
		<category><![CDATA[Issue One]]></category>
		<guid isPermaLink="false">https://thepalateprincess.com/?p=11392</guid>

					<description><![CDATA[A global mix of food, art, music, travel, and culture that should be on your radar 2026 isn’t just another year on the calendar — it’s a crossroads of cultural celebration, creative resurgence, and collective experience. From longstanding global festivals to first-time artistic debuts, this year offers moments worth traveling for, returning to, and remembering. Below is a thoughtfully curated list spanning continents and mediums — food, art, community, performance, and the events that make culture feel both immediate and essential. Consider this a cultural field guide, not a to-do list. Come curious. Come rested. Come dressed for weather, walking,]]></description>
		
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		<title>The Black Girl’s Guide to Art Collecting</title>
		<link>https://palatemag.com/the-black-girls-guide-to-art-collecting/</link>
					<comments>https://palatemag.com/the-black-girls-guide-to-art-collecting/#respond</comments>
		
		<dc:creator><![CDATA[Iris]]></dc:creator>
		<pubDate>Sat, 07 Feb 2026 21:50:47 +0000</pubDate>
				<category><![CDATA[The Art + Culture Edit]]></category>
		<category><![CDATA[Issue One]]></category>
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					<description><![CDATA[How to Look, Learn, and Collect With Intention—From First Purchase to Legacy For Black women, art collecting has never been simply about acquisition. It has always been about recognition—of ourselves, our histories, our aesthetics, and our authority to decide what is worthy of preservation. Long before auction houses and blue-chip galleries took notice, Black women were already collectors. We filled our homes with images that affirmed us, supported artists within our communities, and documented cultural memory when institutions would not. What has changed is not our instinct to collect, but the visibility—and legitimacy—granted to that instinct by the mainstream art]]></description>
		
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		<title>American Sublime: Amy Sherald&#8217;s Perspective on Black Interior Life and the Politics of Stillness</title>
		<link>https://palatemag.com/american-sublime-amy-sheralds-perspective-on-black-interior-life-and-the-politics-of-stillness/</link>
					<comments>https://palatemag.com/american-sublime-amy-sheralds-perspective-on-black-interior-life-and-the-politics-of-stillness/#respond</comments>
		
		<dc:creator><![CDATA[Iris]]></dc:creator>
		<pubDate>Sat, 07 Feb 2026 21:27:25 +0000</pubDate>
				<category><![CDATA[The Art + Culture Edit]]></category>
		<category><![CDATA[Issue One]]></category>
		<guid isPermaLink="false">https://thepalateprincess.com/?p=11368</guid>

					<description><![CDATA[American Sublime is currently on display at Baltimore Museum of Art until April 5, 2026. In an art world that has long demanded spectacle from Black subjects, Amy Sherald has built a career on refusal. Her paintings do not perform trauma, nor do they contort Black life into legibility for a presumed outside gaze. Instead, Sherald offers something quieter—and far more radical: images of Black Americans simply existing, self-possessed and unhurried, rendered with clarity, restraint, and care. Her exhibition American Sublime gathers this vision into a cohesive statement. Across its canvases, Sherald’s signature figures—posed, composed, and unmistakably present—invite sustained looking.]]></description>
		
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		<title>Mali Twist: Malick Sidibé and the Art of Black Joy in Motion</title>
		<link>https://palatemag.com/mali-twist-the-photos-of-malick-sidibe-at-the-cartier-foundation-in-paris/</link>
					<comments>https://palatemag.com/mali-twist-the-photos-of-malick-sidibe-at-the-cartier-foundation-in-paris/#respond</comments>
		
		<dc:creator><![CDATA[Iris]]></dc:creator>
		<pubDate>Sat, 07 Feb 2026 20:45:45 +0000</pubDate>
				<category><![CDATA[The Art + Culture Edit]]></category>
		<guid isPermaLink="false">http://thepalateprincess.com/?p=5930</guid>

					<description><![CDATA[Rain has a way of sharpening anticipation. On a day when Paris felt gray and impermeable, the city’s cultural institutions became sanctuaries—places where time, geography, and expectation briefly dissolved. Inside the Fondation Cartier pour l’Art Contemporain, that dissolution was immediate. What greeted visitors was not the hushed reverence typically associated with museum exhibitions, but a charged, rhythmic atmosphere that felt closer to a dance floor than a gallery. Such was the world of Malick Sidibé. Sidibé, who passed away in 2016, occupies a singular position in twentieth-century photography. Working primarily in black and white, he documented the social and cultural]]></description>
		
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